I am thinking I want to go to this. I find the Beats compelling and annoying, and in general interesting. I think I have seen some of these, but it was YEARS ago, and well, I am willing to give it another go. Anyone want to join me?
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In conjunction with the exhibition On the Road with the Beats, the Harry Ransom Center presents the Beat Film Series, opening this week on Wednesday, April 2, and continuing Wednesdays through April 23. All screenings take place at the Alamo Drafthouse at the Ritz at 7 p.m.
The Beats did not limit themselves to one exclusive medium, foraying into visual arts, music, performance art, and film. This film series will immerse audiences in the avant-garde film scene of the mid-1950s to 1960s. It includes films by Beats, about Beats, and films that reflect or were inspired by the aesthetic innovations of the Beats.
Learn more about the series and see the schedule for future screenings.
WEDNESDAY, APRIL 2, 7 P.M.
Frank Paine’s Motion Picture (1956), 4 min., 16 mm. This film documents a culture in perpetual movement, shot from the windows of an automobile traveling from the Midwest to New York City. Print courtesy of the Film-makers Cooperative of New York.
Robert Frank and Alfred Leslie’s Pull My Daisy (1959), 28 min., 35 mm. Written and narrated by Jack Kerouac and starring Allen Ginsberg, Gregory Corso, Peter Orlovsky, Delphine Seyrig, and other Beats, this film examines a day in the life of a Beat couple and their incorrigible friends. Frank was an influential photographer, and Leslie was an abstract expressionist painter. Print courtesy of Alfred Leslie and the Museum of Modern Art, New York.
Ed Bland’s Cry of Jazz (1958), 35 min. Digital. An intense meditation on jazz and race in the late fifties. Thanks to Atavistic and Osmund Music.
Shirley Clarke’s Bridges-Go-Round (1958), 4 min., 16 mm. Stunning colorization and editing characterize this footage of bridges, notably the Brooklyn Bridge, set to jazz. Print courtesy of Canyon Cinema.
Stan Brakhage’s Anticipation of the Night (1958), 40 min., 16 mm. An attempt to deconstruct the act and experience of seeing, this film captures a man’s day through metaphor, editing, and vivid camerawork. Print courtesy of Canyon Cinema.
Tickets are required and can be purchased at the Alamo Drafthouse website. Discounts are available for students, members of the Ransom Center, and the Austin Film Society.">Tickets for each night are $8.25, or a series pass is available for $25.
On the Road with the Beats traces the travels of Jack Kerouac, Allen Ginsberg, William S. Burroughs, and their friends across America and the globe. The exhibition runs through August 3.
This event is co-sponsored by the Alamo Drafthouse at the Ritz, the Austin Film Society, The University of Texas at Austin's College of Communication, and the Department of Radio-Television-Film.